Tsukioka YOSHITOSHI (1839–1892)
YOSHITOSHI
Tsukioka YOSHITOSHI (1839-1892) was a Japanese ukiyo-e artist who is considered one of the last great masters of the woodblock print tradition during the Meiji period. He was born in Edo (present-day Tokyo) and began his artistic training at a young age. Yoshitoshi initially studied under the ukiyo-e artist Utagawa KUNIYOSHI, who had a significant influence on his early style.
Yoshitoshi's works are known for their dramatic and often macabre themes. He was particularly skilled in depicting historical and supernatural subjects, including warriors, ghosts, monsters, and scenes from Japanese folklore. His prints often featured intense and dynamic compositions, with a strong emphasis on expressive figures and intricate details.
During the Meiji period, Japan underwent significant social, political, and cultural changes as it transitioned from a feudal society to a modern nation. Yoshitoshi's prints reflected this period of transition, addressing themes such as the decline of traditional values, the impact of Westernization, and the conflicts of the time.
One of Yoshitoshi's most famous series is "One Hundred Views of the Moon," which consists of 100 prints depicting various scenes related to the moon. This series showcases his technical mastery and imaginative storytelling abilities.
Yoshitoshi's later works also explored psychological and emotional themes, often delving into the darker aspects of human nature. His prints were highly detailed and featured intricate linework, rich colors, and innovative use of perspective.
Despite facing personal and financial difficulties throughout his life, Yoshitoshi's artistic talent and dedication to his craft earned him recognition and admiration. His works continue to be highly regarded for their technical skill, creativity, and their portrayal of the changing landscape of Japan during the Meiji period.
Fumiya no Watamaro and surrendering rebels in Oshu
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Takakura no tsuki, Hasebe Nobutsura
(J051)
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Michi no Omi no Mikoto
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Kinuta no tsuki (Cloth-beating moon)
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Ôe no ôji (Nakatomi Kamatari and Prince Ôe)
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Inamuragasaki no mei honobono tsuki
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Shinkan no tsuki (The moon's inner vision)
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Onogawa Kisaburo
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Genji yugao maki (The Yugao chapter from The Tale of Genji)
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Ii no Hayata Killing a Nue at the Imperial Palace
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Oda Udaijin Taira Nobunaga
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Shichi-fuku-jin (Seven deities)
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Riding in a Wash Tub
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Lord Sadanobu Threatening a Demon in the Palace at Night
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The Actor Onoe Kikugoro V as the Hag of Adachi
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A Woman Saving the Nation: A Chronicle of Great Peace
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Otomi Yosaburo no hanashi (The Story of Otomi and Yosaburo)
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Expectant: the appearance of a fireman's wife of Kaei era
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Ashigarayama no tsuki (Mount Ashigara moon)
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Sketch for a Woodblock Print
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Yamato Takeru no Mikoto killing the chief of the Kumaso
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Otomi Takenouchi no Sukune torturing a Korean
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Seigen daraku no zu (The Depravity of Monk Seigen)
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Shiba Kanasugi Mishima-ya
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Maebara Ikkaku Holding a Sword
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Hitsu no Saishô Haruhira
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Sageo no Isuke
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