Polychrome woodcut in 101 colors, Year 2011
Issues: 3 with different colors and papers

Techniques used in use in the EDO period in Japan:
Nishiki-E: Brocade prints, a term used to denote the coloured woodcuts produced from 1765 onward using cherry and pear woods
Bokashi: Shaded colour printing
Karazuri: Printing whit parts created by pressure alone, without colour, in order to create relief and three-dimensional effect
Kirazuri: Mica prints, with the application of particles of powdered pearl and mica in order to create silvered or shining effects
Sabi-Bori: Method of engraving used to create the effect of brush strokes in Japanese calligraphy
Ginpaku: Prints on silvered sheets
Ichimai-E: Single sheet print
Yoko-E: Horizontal print
Fukei-E: Print of landscape
Maki-E: Print sprinkled with gold powder
Urushi-E: Technique used to enhanced the appearance and quality of the works

Wood: The engravings for the contours and for the clichés were made on cherry wood (Sakura)
Fine Japanese handmade paper
Size of the print: cm. 42 x 32 cm

Translation Verses:
"Rain of Poems" I cannot forget / Your vision / for a moment / even if the path / is strewn / with flowering convolvils

Chinese cinnabar seals
Signature: Signature in the lower right corner LIGUSTRO