Sosaku Hanga
Sōsaku hanga (creative prints) was an art movement starting in the early 20th century, which was shaped by the expectation that the artist must participate in every aspect of printmaking. Sōsaku hanga prints, therefore, mark the departure from traditional ukiyo-e production and aesthetics, and results in highly individualized works, strongly influenced by international trends in art.
Higo Kumamoto-jô (Castle Kumamoto in Higo)
(1133)
Fuji-san chôjô, Asama-sha okunomiya
(1606)
Inawashiro-ko
(1799)
Hei (Tojo Kanchô-in)
(1736)
Maiko
(1968)
Memories
(E067)
Kinshô from the Play Kokusenyagassen
(1961)
Yamanba (Woman from the Mountains) from the Play Komochi Yamamba
(1962)
Bunkaku, the Monk with Fudô myôô, the God of Fire
(1963)
King Caspar offers a box of gold
(617)
An Afternoon
(F083)
System
(F085)
Lingering Dreams (Yume no ato)
(G129)
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Katsura Imperial Villa 2
(G208)
Nichiren Ryûkô-ji
(1819)
Gurando kyanion shoken (Ox Cart in Grand Canyon)
(1818)
Kami-Daigo-ji (Kami-Daigo-ji Temple in the South of Kyoto)
(1778)
Matsunô-dera (Matsunô-Temple)
(2030)
Yoshimine-dera (Yoshimine-Temple in Kyoto)
(1777)
The Gate to the Imperial Castle in Kyoto
(1412)
Veil
(G367)
Girl and Butterflies
(G454)
Spring in Yamazaki
(I205)
S (Three)
(I397)
Insects
(I207)
Temple in the Green
(I479)
Taue (planting rice)
(2195)
Takao Jingo-ji (Jingo-ji temple in Takao)
(2196)
Ujigawa haryū (Tributary stream of Ujigawa)
(2197)
Kasuga Taisha (Kasuga shrine in Nara)
(2201)